Tabula Rasa (2010)
white sand, aluminum wire, adhesive, other
Whenever I am about to
start on a new artwork, I start from a "blank slate" (tabula rasa). At the point of embarking on a new
place in the studio, thre are always paradoxical emotions involving
both trepidation and excitement of the unknown. As with any work, I
know that there will be unforseen challenges ahead, but my fear and
anxiety subside when I remind myself that I am starting from nothing.
In this piece, created for the exhibition, "Studio Practices" at Macy
Gallery in 2010, the skeletal frame of the table echoes my workbench in the
studio, as well as the desk on which I do my research and writing as an
educator. The table (the word table originates frm the Latin word tabula meaning a board or slab)
sits atop a bed of white sand, evoking blankness, or state of mind that
is open to new
ideas.
Through obsering reading, experimenting analyzing, writing and
reflecting, I am able to slowly fill my mind with new knowledge and
experiences, not unlike the movement of sand flowing through the narrow
funnel of an hourglass. But the hourglass can be
turned over and over again, starting from the beginning ready to reeive
new ideas and information -- the tabula
rasa